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	<title>SERIOUSKILOWATT.COM &#187; remote viewing</title>
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		<title>Remote Viewing the Philadelphia Experiment &#8211; Video</title>
		<link>http://www.seriouskilowatt.com/archives/92.html</link>
		<comments>http://www.seriouskilowatt.com/archives/92.html#comments</comments>
		<pubDate>Thu, 23 Jul 2009 07:34:17 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[videos]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/?p=92</guid>
		<description><![CDATA[
]]></description>
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		<title>video- &#8220;remote viewing for remote viewers&#8221;</title>
		<link>http://www.seriouskilowatt.com/archives/78.html</link>
		<comments>http://www.seriouskilowatt.com/archives/78.html#comments</comments>
		<pubDate>Sat, 11 Jul 2009 08:46:47 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[videos]]></category>

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		<description><![CDATA[
http://www.youtube.com/watch?v=r4jmFT3JLXg
]]></description>
			<content:encoded><![CDATA[<p><object width="480" height="295"><param name="movie" value="http://www.youtube.com/v/r4jmFT3JLXg&#038;hl=en&#038;fs=1&#038;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/r4jmFT3JLXg&#038;hl=en&#038;fs=1&#038;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="295"></embed></object></p>
<p><a href="http://www.youtube.com/watch?v=r4jmFT3JLXg">http://www.youtube.com/watch?v=r4jmFT3JLXg</a></p>
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		<title>Gary Langford &#8211; Interview Transcript</title>
		<link>http://www.seriouskilowatt.com/archives/74.html</link>
		<comments>http://www.seriouskilowatt.com/archives/74.html#comments</comments>
		<pubDate>Mon, 06 Jul 2009 23:54:23 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[exciting stuff]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/?p=74</guid>
		<description><![CDATA[For anyone who missed the live chat interview with Gary Langford over at TKR, the transcript is now online. You can check out the pdf here.
Gary talked about a lot of stuff. A good deal of it was way over my head. Some interesting stuff though. Gary doesn't do much public stuff at all with [...]]]></description>
			<content:encoded><![CDATA[<p>For anyone who missed the live chat interview with Gary Langford over at TKR, the transcript is now online. You can check out the pdf <a href="http://www.dojopsi.com/rvexpo/Gary/gary-langford-remote-viewing-02july2009-tkrchat.pdf">here</a>.</p>
<p>Gary talked about a lot of stuff. A good deal of it was way over my head. Some interesting stuff though. Gary doesn't do much public stuff at all with RV, so it's a rare chance to hear some of his ideas. </p>
<p>He showed up on the <a href="http://www.dojopsi.info/forum/index.php?action=forum">Ten Thousand Roads forum</a> a couple years ago, out of the blue. He answered a few questions and was gone just as fast as he came. The related threads from that visit are <a href="http://www.dojopsi.info/forum/index.php?topic=936.0">here</a> and <a href="http://www.dojopsi.info/forum/index.php?topic=3821.0">here</a>.  </p>
<p>It was a welcome experience to have him back for an interview. Hopefully he'll share more about his RV theory, practice and work-flow in the future. </p>
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		<title>Remote Viewing Video Library</title>
		<link>http://www.seriouskilowatt.com/archives/68.html</link>
		<comments>http://www.seriouskilowatt.com/archives/68.html#comments</comments>
		<pubDate>Sun, 05 Jul 2009 00:53:48 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[exciting stuff]]></category>
		<category><![CDATA[motion graphics]]></category>
		<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[videos]]></category>

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		<description><![CDATA[TKR has announced the opening of a Remote Viewing Video Library. The first video was added today. They will be adding featured videos periodically throughout the month of July and continuing to add unique, relevant videos to the collection from there on out! It's all free of course.
The first video features the Remote Viewing Galleries [...]]]></description>
			<content:encoded><![CDATA[<p>TKR has announced the opening of a <a href="http://www.dojopsi.com/rvexpo/remote-viewing-videos.cfm">Remote Viewing Video Library</a>. The first video was added today. They will be adding featured videos periodically throughout the month of July and continuing to add unique, relevant videos to the collection from there on out! It's all free of course.</p>
<p>The first video features the <a href="http://www.dojopsi.com/tkr/rv/gallery/">Remote Viewing Galleries</a> at the <a href="http://www.dojopsi.com/tkr/">Dojo Psi</a>, where viewers and share their remote viewing work, see sessions from other viewers and share comments about both, all for free. Check it out. </p>
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<p>Motion Graphics by me<br />
Music by Kevin McLeod<br />
Thanks to Lloyd Alvarez and Simon Bronson.<br />
Thanks to all the remote viewers who share their work and support others in the Remote Viewing Galleries at the DojoPsi. </p>
<p>More videos to come soon!</p>
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		<title>rv expo / gary langford interview</title>
		<link>http://www.seriouskilowatt.com/archives/58.html</link>
		<comments>http://www.seriouskilowatt.com/archives/58.html#comments</comments>
		<pubDate>Thu, 02 Jul 2009 09:51:01 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[exciting stuff]]></category>
		<category><![CDATA[interviews]]></category>
		<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/?p=58</guid>
		<description><![CDATA[Alright, get ready for the first ever REMOTE VIEWING EXPO
July 2009 is TKR's sixth anniversary. To celebrate, they are bringing together online some killer events, people and all kinds of stuff in Remote Viewing. All free of course, for all viewers of course. Definitely check this out. I'll be posting more on the events throughout [...]]]></description>
			<content:encoded><![CDATA[<p>Alright, get ready for the first ever <strong>REMOTE VIEWING EXPO</strong></p>
<p>July 2009 is <a href="http://www.dojopsi.info/forum/index.php">TKR's</a> sixth anniversary. To celebrate, they are bringing together online some killer events, people and all kinds of stuff in Remote Viewing. All free of course, for all viewers of course. Definitely check this out. I'll be posting more on the events throughout the month as they happen. </p>
<p>TKR WELCOMES GARY LANGFORD * JOSEPH W. MCMONEAGLE * DR. RICHARD<br />
BROUGHTON * DR. EDWIN C. MAY * DR. DEAN RADIN * DR. CHARLES T. TART *<br />
DR. JESSICA UTTS * NANCY MCMONEAGLE * STEPHAN SCHWARTZ * RUSSELL TARG<br />
* WE HAVE NEW INTERVIEWS! * WE HAVE RV TASKING! GO VIEW! PRIZES TOO! *<br />
WE HAVE LIVE CHAT CONFERENCES! * NEW RV VIDEOS! * JULY 2009</p>
<p>VISIT THE <a href="http://dojopsi.com/rvexpo/">EXPO HOME</a> </p>
<p>First Up: <strong>GARY LANGFORD</strong> > Very seldom seen in public in this field (infact, this may be his first-ever  'appearance' besides some previous talk on TKR's forum!), we are honored to host Gary Langford for some<br />
Q&#038;A. Gary provided remote viewing for science research from the 1970s until the 1990s, and was a key participant in projects now collectively known as STAR GATE. Gary is in LIVE CHAT CONFERENCE July 2nd at 10:00pm Eastern at the Dojo Psi Remote Viewing Chat<br />
http://www.dojopsi.com/chat/</p>
<p>Come tell Gary hello, ask questions if you've got them! You can find Gary's RV EXPO page <a href="http://www.dojopsi.com/RVExpo/Gary/">here</a>.<br />
(Over the next week his page will acquire more info like an email interview, some archived notes from him, plus a transcript, so check back there.)</p>
<p>TKR is a field-wide free community project "by viewers, for viewers" and welcomes folks of all backgrounds, psi methods and philosophies.</p>
<p><a href="http://www.dojopsi.com/tkr/ "><br />
TKR Hands-On Remote Viewing</a> </p>
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		<title>mcmoneagle walks the talk</title>
		<link>http://www.seriouskilowatt.com/archives/48.html</link>
		<comments>http://www.seriouskilowatt.com/archives/48.html#comments</comments>
		<pubDate>Tue, 17 Feb 2009 00:19:53 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/?p=48</guid>
		<description><![CDATA[For those who haven't seen it yet, a few videos of Joe McMoneagle's famed work on Nippon TV in Japan recently surfaced on youtube. This one is my favorite. Check out the picture perfect maps he produces. Absolutely stunning. 

]]></description>
			<content:encoded><![CDATA[<p>For those who haven't seen it yet, a few <a href="http://www.youtube.com/watch?gl=GB&#038;hl=en-GB&#038;v=5pNzAvcs0Ls&#038;feature=related">videos</a> of <a href="http://blog.mceagle.com/">Joe McMoneagle's</a> famed work on Nippon TV in Japan recently surfaced on youtube. This one is my favorite. Check out the picture perfect maps he produces. Absolutely stunning. </p>
<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/5pNzAvcs0Ls&#038;hl=en&#038;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/5pNzAvcs0Ls&#038;hl=en&#038;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object></p>
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		<title>potential explosion</title>
		<link>http://www.seriouskilowatt.com/archives/22.html</link>
		<comments>http://www.seriouskilowatt.com/archives/22.html#comments</comments>
		<pubDate>Sat, 16 Aug 2008 12:56:30 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[session clips]]></category>
		<category><![CDATA[symbology]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/22.html</guid>
		<description><![CDATA[Wow. I haven't posted in a really long time.
I had a fun little session the other night. The target was a nuclear warhead poised in it's chamber. It came out of my Taskerbot pool of about 400 targets. Incidentally, it's the same photo that is on the cover of Joe McMoneagle's book, "The Stargate Chronicles."


Most [...]]]></description>
			<content:encoded><![CDATA[<p>Wow. I haven't posted in a really long time.</p>
<p>I had a fun little session the other night. The target was a nuclear warhead poised in it's chamber. It came out of my <a title="Taskerbot, free tasking utility for viewers. It's very cool. Check it out. Log in required." target="_blank" href="http://www.dojopsi.com/tkr/rv/tbot/index.cfm">Taskerbot</a> pool of about 400 targets. Incidentally, it's the same photo that is on the cover of <a title="McEagle blog" target="_blank" href="http://blog.mceagle.com/">Joe McMoneagle's</a> book, <a title="Stargate Chronicles book info" target="_blank" href="http://www.mceagle.com/remote-viewing/stargate/index.html">"The Stargate Chronicles."</a></p>
<p><a title="Stargate Chronicles book info" target="_blank" href="http://www.mceagle.com/remote-viewing/stargate/index.html"><br />
</a><img title="Nuclear warhead target photo" alt="Nuclear warhead target photo" src="http://www.seriouskilowatt.com/pics/nuclearwarhead.jpg" /></p>
<p>Most of the session was pretty well on target. I had an impression of an old-style, archetypal bomb (a black sphere with a fuse coming out of it.) It was somehow mounted in some kind of bracket. Recognizing it as symbolic data, I interpreted it as a "coming explosion" or "potential explosion." The latter ended up being the more appropriate. I wish I'd payed more attention to the impression of it also being 'mounted.' What I find interesting is the amount of information I could have extrapolated from that single symbol if I'd been paying more attention. Instead of just "potential explosion," in theory I could have come up with "An as of yet unexploded ordinance mounted on/in some kind of holding receptacle," and that would have just about wrapped it up. Maybe that's looking a gift horse in the mouth.<br />
<img title="Session snipet" alt="Session snipet" src="http://www.seriouskilowatt.com/pics/CaptureWiz006.jpg" /></p>
<p>Another neat impression I got was that of a flying, missile shaped object.  What the quick sketch of it doesn't show (and <img align="right" alt="Session snipet" title="Session snipet" src="http://www.seriouskilowatt.com/pics/CaptureWiz005" />what I didn't log in the session) is that the pictogram was accompanied by a sense of 'attitude' that I'd describe as confident and almost predatory.</p>
<p>Eventually it became a matter of thinking it was complete AOL-drive and being completely off target, or on target and pointless to continue to describe what I already thought it was, just for the sake of looking amazing (drives me nuts when I see that.) So I declared my last AOL of a nuclear weapons facility and ended it. It's so fun when it works well. You can see the whole session, albeit a short one, <a title="Session and feedback photo on warhead target. No login required." target="_blank" href="http://www.dojopsi.com/tkr/goview.cfm?ID=176984&#038;P=9QX938956Y">here</a>.</p>
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		<title>Aspect RV and creative self-tasking</title>
		<link>http://www.seriouskilowatt.com/archives/20.html</link>
		<comments>http://www.seriouskilowatt.com/archives/20.html#comments</comments>
		<pubDate>Sun, 28 Oct 2007 21:51:14 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/20.html</guid>
		<description><![CDATA[Most of this is just copied from something I posted over at TKR yesterday but I wanted to have it here too. I've been experimenting with a couple new things. New to me at least. One of them is called "Aspect RV." It was invented by Palyne Gaenir back in the day, based on  [...]]]></description>
			<content:encoded><![CDATA[<p>Most of this is just copied from something I posted over at <a target="_blank" title="TKR Remote Viewing and Dowsing Project" href="http://www.tenthousandroads.com/wbbs/WBB.cgi">TKR</a> yesterday but I wanted to have it here too. I've been experimenting with a couple new things. New to me at least. One of them is called "Aspect RV." It was invented by Palyne Gaenir back in the day, based on  some interesting experiences she had in session which she describes briefly <a target="_blank" title="Thread at TKR about Aspect RV" href="http://www.tenthousandroads.com/wbbs/WBB.cgi?board=rvgenl;action=display;num=1193485741">here</a>.</p>
<p>Kind of difficult to define,<font size="2"> the short, inadequate and possibly inaccurate version of it is something like this:</font></p>
<p><font size="2"><em>"We become what we need to become in order to best meet the challenge of the situation."</em> Each of us has different aspects that make up our person. Aspect RV works on the idea of purposely bringing a certain aspect of yourself to the front to deal with different kinds of data or get different aspect's 'slant' or perspective on a target or a point of interest within a target. The aspect can be any kind of human- abstract or a specific personality (fireman, mailman, mother, painter, Thomas Jefferson, Humphrey Bogart, etc etc etc)</font></p>
<p><font size="2">-*-</font></p>
<p><font size="2">I've been mixing it with a couple different techniques and switching between them, getting data through a few different means in the same session. Here's what I've been toying with:</font></p>
<p><font size="2">I start with something that has nothing to do with Aspect RV. I'll come up with a spontaneous cue and implement it immediately. Meaning the first thing I think of to do (something new every time) I do it as fast as possible. I don't sit there and think about it. Usually something aggressive. Like "Throw a bucket of water on the target!" or "Bite the target!" or "Run in a circle around the target as fast as you can!"</font></p>
<p><font size="2">The idea is to do it fast and kind of catch myself off-guard so I'm not expecting whatever happens in response- I don't have a chance to imagine how the target might interface with my action. I feel like it has the direct contact quality of an ideogram but with more physical data information transfer (for me, at least).</font></p>
<p><font size="2">Like when I threw water on the target, I watched the way it 'splashed off' the target and dripped down and got the basic shape of part of the target. In this example below, I actually saw the same curving, pointed bow shape of the ship as the 'water' splashed off it.</font></p>
<p><font size="2"><img border="0" src="http://www.seriouskilowatt.com/pics/example1.jpg" /><br />
Data logged in session: pointed tip</font></p>
<p><font size="2">It seems to be working well for me so far and it's just fun. I feel like I 'get' the target better initially than I do with a cold ideogram on paper or something like that. It's initial contact that I can really feel and sometimes see.</font></p>
<p><font size="2">In another example I just flailed my hands all over the target all of the sudden and it felt like touching a person. Turns out it was. Earlier this evening I bit a target. It felt like biting metal and rubber. The primary target was all metal and there was a rubber tire in the foreground in front of it. Neato.</font></p>
<p><font size="2">-*-</font></p>
<p><font size="2">Anyway, I'll open with something like that and then do some Aspect work</font></p>
<p><font size="2">For my aspect work on last weeks TKR <a target="_blank" title="My brief session on 'The Contorionist' Mission" href="http://www.dojopsi.com/tkr/goview.cfm?ID=122852&#038;P=64YJ2882EC">Mission session</a> (<a target="_blank" title="'The Contorionist' Mission at the DojoPsi (login required)" href="http://www.dojopsi.com/tkr/rv/galleries/PeanutGallery_Missions.cfm?MT=122062">the contortionist</a>). First I asked for my Policeman aspect. That is, the aspect of myself that is a cop. I asked him what he could tell me about the target. He didn't say anything but he kind of just looked around. I got the distinct feeling that he was fairly uninterested, but watching the sidelines. It struck me very much as somebody working security for an entertainment event. Kind of glancing at the main event, but eying the whole room not really expecting anything exciting to happen.</font></p>
<p><font size="2">From there I started getting a really strong sense that the target was entertainment oriented, or like a show. So I asked for another aspect that might be more suited to something like that. My art critic aspect.</font></p>
<p><font size="2">I asked him what he could tell me about the target. He seemed unimpressed at it. He said, "Well, it's not completely amateurish but it's certainly not professional." He was totally dripping with that smug, snobbish art critic attitude too lol.</font></p>
<p><font size="2">Sometimes I'll just see myself in front of a big crowd and ask if there's any volunteers. If someone (an aspect) raises their hand or comes forward I'll listen. Sometimes they don't.</font></p>
<p><font size="2">At times it's like I'm standing next to the aspect in person, other times it's like I'm looking through their eyes and I am them. Sometimes I talk to them and they talk to me in words, other times I can just 'feel' how they feel.</font></p>
<p><font size="2">In between interaction with aspects I might just focus on the target, feel it out 'on my own' (lol) for a minute, and get some impressions like that.</font></p>
<p><font size="2">-*-</font></p>
<p><font size="2">One of the many interesting things I've found so far with this, is the different perspective and different data you get from different aspects on the same target.</font></p>
<p><font size="2"><img align="right" title="Windmill target" alt="Windmill target" src="http://www.seriouskilowatt.com/pics/example2a.jpg" /></font><font size="2">For instance, I had a target of an old windmill. I started with a Spontaneous Aggressive Movement Cue (a new acronym!</font><font size="2"> </font><font size="2">Yuck!), "Run at super speed around the target!" and got the sense of a large monolithic thing in an open area. I had an AOL of a big tree so I asked for my gardener aspect. He told me the target was "low maintenance, didn't need water, and was ______" </font><font size="2">(that last bit was more of a feeling, the closest I could come to putting a word to it was "stoic.") Then he showed me something like a root system. A large central piece with several smaller pieces branching outward into the ground at the bottom.</font></p>
<p><font size="2">Then I asked for my aspect of Frank Lloyd Wright, the famous architect. He told me that it was "beautiful" and that he "would definitely build around it." He showed me a vertical line with many lines slanting down from each side (like the pattern on the front of the mill) and also told me there were circles on the ground.</font><font size="2"><img width="529" height="203" align="left" src="http://www.seriouskilowatt.com/pics/example2b.jpg" /></font></p>
<p><font size="2"><br />
</font></p>
<p><font size="2"></font><font size="2"> </font></p>
<p><font size="2"><font size="2" /></font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">   If you look at the blown up portion of the target photo, you can see how the posts at the base of the mill branch out into the ground. Maybe I'm stretching here, but it makes sense to me that a gardener would describe this feature as a 'root system.'</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">Frank Lloyd Wright seemed to give me data that would make sense coming from an architect with an eye for aesthetics. (i.e. 'beautiful,' 'I would build around it' etc.)</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">Also notice he was right about the circles on the ground.</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">So It's apparent that the aspects tend to give information as they would&#8230;um&#8230;if they were what they are.</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">-*-</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">Keep in mind,, these are all </font><font size="2"><em>aspects of yourself.</em> They are constructs of a sort that already exist </font><font size="2">within me and are a part of me. I'm not </font><font size="2">channeling dead architects and policemen here. Once, I asked for "the aspect of me that is not of me" and I got the spookiest feeling all of the sudden. I decided maybe that wasn't the best idea and cut </font><font size="2">it off. Heh.<br />
</font></p>
<p><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"></font><font size="2"> </font><font size="2"></font><font size="2"> </font> <font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2"></font><font size="2">Anyhow, that's what I've been experimenting with for the last week or two. I'm still totally new to it but so far </font><font size="2">it's loads of fun and really interesting.  </font>    </p>
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		<title>Dark night revisited</title>
		<link>http://www.seriouskilowatt.com/archives/18.html</link>
		<comments>http://www.seriouskilowatt.com/archives/18.html#comments</comments>
		<pubDate>Thu, 06 Sep 2007 09:26:29 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/18.html</guid>
		<description><![CDATA[I haven't written about remote viewing here in a while.
The simple reason is this: I totally suck at it right now.
I've been having such a tough time lately. I do sessions that either have minor contact or none at all. One after the other they're just weak-sauce sessions. Sometimes I get the feeling that I'm [...]]]></description>
			<content:encoded><![CDATA[<p>I haven't written about remote viewing here in a while.<br />
The simple reason is this: I totally suck at it right now.</p>
<p>I've been having such a tough time lately. I do sessions that either have minor contact or none at all. One after the other they're just weak-sauce sessions. Sometimes I get the feeling that I'm devolving haha.</p>
<p>This has happened before. A bit over a year ago I was cruising along, viewing daily with half-decent results when all of the sudden it was like I hit a pit of quick sand. The harder I tried to break out of it, the deeper I sunk. For nearly a month and a half strait &#8211; every. session. sucked. every. day. Not to say I didn't have observable target contact here and there but accurate data was minimal and low-level at best. As where before I was getting used to the feeling of progress, learning new things all the time and having some good results on paper.</p>
<p>The angst became so great that the episode earned it's own moniker:<strong><br />
"The Dark Night of Psi"</strong> (cue scary organ music).</p>
<p>I couldn't hit the broadside of a barn with a bowling ball. But, I powered through it and eventually the streak broke with one of the cooler session experiences I've ever had, and a string of decency thereafter. Not a second too soon either. I didn't fancy going prematurely bald for tearing all my hair out. It's just so frustrating because you <em>know </em>you can do better. You've the past sessions to prove it. So why the hell isn't it working any more? Racking your brain over anything and everything that might be the culprit does little good.</p>
<p>Some viewers say that when you start to have trouble it's a good time to take a break. That's awesome if it works for them but personally I always seem to come back from a break feeling twice as incompetent as I did before it. Am I alone on this one? Maybe.</p>
<p>It appears the Dark Night of Psi (scary music) has returned. Shrouding my soul in blackness. Smiting me from the shadows! Destroying Hope and all that is sacred! <strong>Chewing a path of destruction through eternity and&#8230;&#8230;.</strong></p>
<p>Ahem&#8230; Sorry about that. You can tell it's a sore subject. Anyway, my viewing has been consistently pitiful for a nearly two months. I hate to whine but it's hard as hell to keep the right frame of mind when every session starts to feel like an exercise in futility before you even start. I know, poor me. I pick one of the most mentally challenging pursuits a person can, and then I bitch because it's hard. Heh.</p>
<p>Not sure what causes these long 'dry spells.' I think it's probably just an exaggerated bell of the learning curve. A <strike>valley</strike> canyon that precedes the next higher peak. Maybe it's worse for some than others. I'm not sure it's any easier the second time around and it probably won't be on the third either. C'est la vi. All there is is to keep at it. At least I'm lucky enough to have a girlfriend who pretends to never tire of listening to me belly-ache about it.</p>
<p>The last time I hit this wall, a friend of mine (and a more experienced viewer than I) gave me this advice:</p>
<blockquote><p><em>"&#8230; <font size="2">hang in there.  This too will pass, as they say.  No matter what the cause is, you were doing great before so you know that you can do great again, right?  The cause or source of your recent missing WILL pass.  But YOU WON'T PASS. &#8230;</font></em><font size="2"><em>Even if you take no steps to try to correct the problem, the problem will STILL eventually either go away or will solve itself (possibly from your subconscious figuring out a way around it while, from your conscious perspective, you have just kept plugging away)." </em></font></p></blockquote>
<p>Leave it to good friends to make the night seem a little less dark.</p>
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		<title>simple symbol</title>
		<link>http://www.seriouskilowatt.com/archives/11.html</link>
		<comments>http://www.seriouskilowatt.com/archives/11.html#comments</comments>
		<pubDate>Sat, 09 Jun 2007 11:03:07 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[session clips]]></category>
		<category><![CDATA[symbology]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/11.html</guid>
		<description><![CDATA[Here's an example of a simple symbol. It's not going to knock any socks off but I think it's a good example of how basic information about a target might be conveyed. A clip from a session I did about 15 minutes ago:


Right. Not much to look at, is it?
Notice though, eight marks situated in [...]]]></description>
			<content:encoded><![CDATA[<p>Here's an example of a simple symbol. It's not going to knock any socks off but I think it's a good example of how basic information about a target might be conveyed. A clip from a session I did about 15 minutes ago:</p>
<p><img alt="Part of the actual session notes" title="Part of the actual session notes" src="http://www.seriouskilowatt.com/pics/Sessions%20075.jpg" /></p>
<p><img alt="Target photo" title="Target photo" src="http://www.seriouskilowatt.com/pics/soldiercircle.jpg" /></p>
<p>Right. Not much to look at, is it?</p>
<p>Notice though, eight marks situated in a circle.<br />
Eight soldiers kneeling in a circle.</p>
<p>This is typical of the language of the mind. I think it's things like this that if I can learn to analyze properly and consistently, can eventually contribute to some very effective remote viewing.</p>
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		<title>building blocks &#8211; part 2</title>
		<link>http://www.seriouskilowatt.com/archives/10.html</link>
		<comments>http://www.seriouskilowatt.com/archives/10.html#comments</comments>
		<pubDate>Wed, 06 Jun 2007 12:13:23 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/10.html</guid>
		<description><![CDATA[I've been thinking about some other things that seem to stifle viewing efforts.
Fear appears to be a given aspect aspect of psi-blocks. Another, not unconnected from it is belief systems. This was something else that was suggested to me by a viewer friend of mine which I dismissed out of hand as having anything to [...]]]></description>
			<content:encoded><![CDATA[<p>I've been thinking about some other things that seem to stifle viewing efforts.</p>
<p>Fear appears to be a given aspect aspect of psi-blocks. Another, not unconnected from it is belief systems. This was something else that was suggested to me by a viewer friend of mine which I dismissed out of hand as having anything to do with standing between myself and high-level psi functioning.</p>
<p><em>"There is nothing in my beliefs that could be preventing better psi in me. I've had psychic experiences throughout my life! I've always believed this is how it's supposed to work!"</em> I said. Heh. Closer examination of myself revealed some surprising insights&#8230;</p>
<p>I'm not just speaking of large-scale religious and philosophical beliefs, but of course those are paramount also. I'm talking about beliefs on a <strong>micro</strong> scale as well as macro. It's a big subject. One I'm not qualified to tackle here. I will say that Jane Roberts' Seth book, "The Nature of Personal Reality" has opened up some awesome perspective for me in regards to beliefs and how they directly affect experience. I highly recommend it.</p>
<p>-*-</p>
<p>One thing that didn't dawn on me for quite some time (yeah, I'm a little slow haha), is the factor of a natural barrier. Built in as just part of how we work.</p>
<p>Ingo Swann writes in "Everybody's Guide to Natural ESP":</p>
<blockquote><p><em>"It seems that, somehow, the human is constructed so that there are natural barriers between consciousness and an overwhelming influx of second-reality information. Otherwise, our consciousness would be inundated, as if listening to a thousand radio and TV channels simultaneously. We cannot imagine how we would be able to function without these natural barriers." </em></p></blockquote>
<p>Makes sense. It's for our own good, so our fragile psyche doesn't get fried like sending 21.1 gigawatts through a 60 watt light bulb. It's inherent and aside from obvious exceptions, generally only lets though information that affects personally important things like survival or the well being of a loved one. At this point we can probably imagine how this natural barrier construct, fear and belief systems are all interconnected and interactive.</p>
<p>Maybe the fear is deeply rooted in self preservation like a natural reflex. Granted there is a good deal of <em>learned</em> fear at work there too but it stands to reason that the idea of being mentally destroyed by over exposure to a level of psychic data beyond comprehension would contribute to an automatic subconscious fear as well. Kind of like pain-response, natural and built-in to prevent damage.</p>
<p>Who knows. Maybe I'm off the mark here. Just some stuff I've been thinking about. To me though, it begs attention to the "un-learning" that Yoda and McMoneagle refer to.</p>
<p>Yes, I just referenced the teachings of a muppet. I'll quote the truth wherever I find it, thank you.</p>
<p>-*-</p>
<p>All these 'blocks' and 'barriers' pretty much boil down to one thing.</p>
<p>Psychology.</p>
<p>In the same <a title="McInterview" target="_blank" href="http://www.firedocs.com/remoteviewing/pjrv_interviews.cfm">interview</a> with Mr. McMoneagle referenced in part 1, he was asked:</p>
<blockquote><p><strong>Q: "How much of 'psi talent' do you think is really a matter of psychology allowing/accepting psi?" </strong></p>
<p>A: <em>"All of it."</em></p></blockquote>
<p>Ponder that as you will. It's past my bedtime. And may the force be with you.</p>
<p>-serious</p>
<blockquote />
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		<title>building blocks &#8211; part 1</title>
		<link>http://www.seriouskilowatt.com/archives/9.html</link>
		<comments>http://www.seriouskilowatt.com/archives/9.html#comments</comments>
		<pubDate>Tue, 05 Jun 2007 01:15:53 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>

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		<description><![CDATA[I'm pretty good about regular practice. For me, it has to be every day, several times a day. It's awesome. I can sit and view for literally hours without a break except to take care of nature. One session to the next, I can't seem to get enough of the experience. It's a rush when [...]]]></description>
			<content:encoded><![CDATA[<p>I'm pretty good about regular practice. For me, it has to be every day, several times a day. It's awesome. I can sit and view for literally hours without a break except to take care of nature. One session to the next, I can't seem to get enough of the experience. It's a rush when a sketch matches the target. The feeling of accomplishment when I learn something new or get an idea about how this or that might work. It's addictive. It's satisfying. I can maintain this momentum for months on end. No sweat.</p>
<p>Then it happens.</p>
<p>Resistance. Pointed avoidance. It's time to sit down and practice and I conveniently come up with a billion and one things that I "need to do real quick first." My level of interest hasn't changed. I still think about it all day. I'm still passionate about it while I sit there clipping my toenails when I should be viewing. The worst part (or it could be the best part, I'm still not sure) is I'm fully aware of what's happening. I know perfectly well that I'm giving in to some little part of me that's pouting in the corner with his arms crossed saying "I don't wanna!"</p>
<p>But I do wanna. That's why it doesn't seem to make any sense.</p>
<p>This occasional inner conflict struck me as quite odd until I heard other viewers mention it too, and began to get more of an idea more about what might be going on internally with consistent RV practice.</p>
<p>"I think it has a lot to do with fear of psi&#8230;" one of my viewer friends told me.</p>
<p>I wasn't buying it. My response went something like: <em>"Pwah! Fear?! That's ridiculous! Why would I spend most of my free time doing something that I'm afraid of? My entire life is peppered with paranormal experiences. The idea that I'm afraid of being really good at RV is the silliest thing I've heard!"</em></p>
<p>Not long after that I had a dream.</p>
<p>A voice asked me if I was ready to be a world class remote viewer. I said, "I'm ready!" I felt it coming. Like my awareness was about to be blown wiiiide open. Hard to put into words, but I can tell you it felt BIG. Like minding your own business surfing 6 foot waves and then seeing a 70 foot wall of water coming towards you at 50 mph. Confident me from two seconds ago was now saying "<em>Wait</em>-"</p>
<p>Okay. Point taken. Jeez.</p>
<p>Acknowledging it in myself and being more aware of it may not make it go away, but helps with understanding myself more. Pinpointing areas that may need more attention. Recognizing it when symptoms show goes a good ways towards handling it better. Any twelve step program will tell you the first step is admitting you have a problem. Haha.</p>
<p>From a <a title="McInterviews" target="_blank" href="http://www.firedocs.com/remoteviewing/pjrv_interviews.cfm">2002 interview with Joseph McMoneagle</a>:</p>
<blockquote><p><strong>Q: "There's been talk about subconscious 'fear of psi' relating to the common decline-effect and contributing to why so few end up 'world-class' remote viewers like yourself. What do you think? Is there really such a culture-wide fear of psi? Do you think people realize they've got it? (Many viewers discussing it online say it's not a problem for them.) If you think this is an issue, how would you suggest viewers address dealing with this?"</strong></p></blockquote>
<blockquote>
<p align="left"><em>A: "If someone says this is not a problem for them &#8211; I would say they have never communicated with their unconscious mind. It's a major issue, and one that never goes away. It's a fear that is not just culture wide, it's pervasive in all cultures. It speaks to the dark side for most. It's an uncomfortable window to 'things we shouldn't have access to.' There are no suggestions for dealing with it &#8211; since there is no way of truly conquering it. It's one more battle that is constantly waged in doing RV &#8211; a battle you sometimes win and sometimes don't."</em></p>
</blockquote>
<p align="left">
<p>If you look at modern psychology, one of the first suggested methods of dealing with a fear is <em>desensitization</em>. Gradually exposing a person more and more to what they're afraid of. In remote viewing, that equates to -you guessed it- constant practice. Even with that, as Mr. McMoneagle stated it's a never-ending battle.</p>
<p>Usually my avoidance/resistance to viewing hits hard in two predictable places. I can almost set my clock by it.</p>
<p>1) When I go a couple days without viewing.</p>
<p>Due to the nature of my job, once in a while I'll have a couple days of 16-18 hour shifts. I come home lucky to make it to my bed before I'm asleep. If I do manage to sit down and try to view, it quickly becomes an exercise in ZzzRV. Almost always when I take a break from viewing (usually involuntarily) it's so hard to get back to the level of practice I want and need. The moment I give it an inch, I'm a mile behind. The door is slammed shut and has to be pried back open with a crowbar. Half the time it feels like starting all over again from square one to get back where I was. Some viewers say taking a break helps them. Heh. Lucky them. I don't seem to be wired like that.</p>
<p>2) When I have a knock-my-own-socks-off session.</p>
<p>If I do a session that is fairly amazing to me, I can almost be sure the next one I do will suck rocks. I'm not the only one who's noticed this about their viewing. I've heard the same thing from several others. Appears to be a fear response.  I think this is another reason why Ingo and McM stress "quitting on a high." In addition to the benefits as known in learning-theory, it gives the unconscious a chance to deal with the initial shock response of a high-level psi experience and appears to lessen the related defense mechanisms.</p>
<p>When this avoidance starts to kick in, there's nothing that will help short of grabbing myself by the scruff, sitting down and making myself view. Then doing it some more, and some more, and&#8230; Until finally I'm back to my normal addictive self who can't imagine avoiding anything so fun, challenging and intriguing.</p>
<p>Charles Tart has an interesting article on the subject.<br />
You can check it out <a title="Acknowledging and Dealing With the Fear of Psi - (Tart, 1984)" target="_blank" href="http://www.paradigm-sys.com/ctt_articles2.cfm?id=35">here.</a></p>
<p>Fear seems to be only one aspect of the larger entity of psi-barrier though.</p>
<p>Part 2 &#8211; ahem&#8230;crowbar please</p>
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<p><strong> </strong></p>
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<p align="center"><strong> </strong></p>
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		<title>long dead fish speak</title>
		<link>http://www.seriouskilowatt.com/archives/7.html</link>
		<comments>http://www.seriouskilowatt.com/archives/7.html#comments</comments>
		<pubDate>Thu, 24 May 2007 01:15:19 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[symbology]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/archives/7.html</guid>
		<description><![CDATA[This is taken from something I just posted over at TKR. Been thinking about it quite a bit lately though so figured I'd paste it here too.
-*-
 One of the things that seems to really catch my attention about how I view is symbology.
For the longest time it was the most maddening thing I could [...]]]></description>
			<content:encoded><![CDATA[<p>This is taken from something I just posted over at <a title="Tenthousand Roads Remote Viewing/Dowsing project" target="_blank" href="http://www.tenthousandroads.com/wbbs/WBB.cgi">TKR</a>. Been thinking about it quite a bit lately though so figured I'd paste it here too.</p>
<p>-*-</p>
<p><font size="2"> One of the things that seems to really catch my attention about how I view is symbology.</font></p>
<p><font size="2">For the longest time it was the most maddening thing I could imagine. I'd get feedback and it would suddenly become perfectly obvious what I was trying to tell myself with a given symbol, but it was so cryptic I was sure there was no way I could ever manage to interpret these in session so that they might do anything except frustrate and confuse me.<br />
</font></p>
<p><font size="2">Palyne about summed it up when she said, <em> "From all appearances, the subconscious speaks Etruscan in 4-D, translates it through geometry, encrypts it in some long-dead fish language, and then feeds you that information in code. Of course, it's always perfectly obvious in retrospect."</em></font></p>
<p>Haha.<br />
<font size="2">Over time though, it seems to have begun coming together for me. Slowly, to be sure, but a few breakthroughs here and there. I started getting symbols in session and (gasp!) interpreting them correctly. When this happens, it amazes me the level of data that a single symbol can convey. More often than not, it seems to be higher-level, conceptually heavy data.</font></p>
<p><font size="2">For example, I did a session in the dojo a while back. The target turned out to be a Selective Services draft card from the Vietnam era. Basically a post card from Uncle Sam saying you're going to Nam whether you like it or not.</font></p>
<p><font size="2">In session, I got a visual image of a bird's foot. Recognized it as a symbol and took a moment to think about what that little birdies foot meant to me, what it made me feel, what representations it seemed to evoke in my conscious mind at that moment.</font></p>
<p><font size="2">First I noted that I inherently felt that it belonged to an eagle. The obvious association (for me at the moment anyway) being American government. It wasn't a dainty little foot either, it was a sharp talon and seemed to be gripping something tightly. My translation was American government "digging their claws" into someone.</font></p>
<p><font size="2">I then got an image of something like a tornado that was comprised completely of paper. A big swirling mass of official feeling documents that were surrounding something. I translated that fairly simply as being surrounded/trapped by paperwork/red tape/bureaucracy.</font></p>
<p><font size="2">I thought all of this fit quite well with the target (not to mention the visual of having a gun pointed at my face) and was really pleased with the data.</font></p>
<p><font size="2">Yes, at no point did I describe a piece of paper (flat, yellow, writing on surface etc), but I feel like if I'd spent longer in session and gotten some more good data, I could have come pretty close to nailing down what the target was.</font></p>
<p><font size="2">***</font></p>
<p><font size="2">Another example is a session I did on a line of police, decked out in riot gear, standing guard on point against a crowd of people.</font></p>
<p><font size="2">I got an image of the inside of a lock, like a doorknob lock mechanism. Since I'm a trained lock pick, this doesn't have any major meaning of being locked out to me lol. I then got the same symbol again, but the inner mechanism was surrounded by a black barrier. Like it was saying "You can't even get to the lock to pick it." I interpreted this as "access denied/unobtainable access" which is exactly what the row of police were doing &#8211; denying access to an area. This alone didn't crack the target, but combined with other data in the session, it went along way towards figuring out exactly what was going on at the target.</font></p>
<p><font size="2">***</font></p>
<p><font size="2">Interpreting symbols is an art form all it's own. It involves one's personal reaction to the symbol, thinking about what certain elements of it mean you personally &#8211; removed from other data you've gotten in session already.</font></p>
<p><font size="2">It's hard as hell. But it also seems like it begins to work more naturally after a while with a bit of effort, attention and thought.</font></p>
<p><font size="2">I think this kind of data is invaluable when it's done accurately.</font></p>
<p><font size="2">Joe McMoneagle has a great blog post that touches on the subject. Check it out <a title="McMoneagle Blog - " target="_blank" href="http://blog.mceagle.com/46">here.</a></font></p>
<p><font size="2">***</font></p>
<p><font size="2"><font size="2">It doesn't always have to be a massive translation effort either. Sometimes I'll get a visual that just has a heavy 'feel' to it and it's just a matter of identifying it as a symbol (which can be a whole can of worms in it's own, but I'm getting much better at it and believe it to merely be a matter of practice, attention, experience, more practice, more practice, more&#8230;).</font></font></p>
<p><font size="2"><font size="2"><br />
For instance, I once had a session not long after I first started viewing where the target turned out to be Evita Peron standing on a balcony in Buenos Aires, giving a speach. I got a momentary image of a jungle but had a strong feeling that it was a South American jungle &#8211; (which is strange because I've never been to South America. I live in Hawaii, and never got the feeling that any of the jungles here are South American, but I digress&#8230;) Anyway, it was apparent the data was "South American / Latin," (which is what I wrote down) not 'green, leafy, vegetation&#8230;' and for that I nailed the region where the target was located.</font><br />
Don't get me wrong here. I'm not close to actually having a handle on this, but I'm confident that I can. At least partially&#8230;eventually.<br />
And that's a start.</font></p>
<p><font size="2">-serious </font></p>
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		<title>session on soldiers</title>
		<link>http://www.seriouskilowatt.com/archives/6.html</link>
		<comments>http://www.seriouskilowatt.com/archives/6.html#comments</comments>
		<pubDate>Tue, 10 Apr 2007 02:30:36 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[session clips]]></category>

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		<description><![CDATA[                     
Had kind of a neat little session last night. Misinterpreted some of the symbology but was not unpleased with the soldier sketch. You can see the whole session here (requires login).
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			<content:encoded><![CDATA[<div align="center"><img align="left" alt="Part of the target" title="Part of the target" src="http://www.seriouskilowatt.com/pics/BushInternational.jpg" />                     <img alt="Part of the session" title="Part of the session" src="http://www.seriouskilowatt.com/pics/soldiersessclipcopy.jpg" /></div>
<p>Had kind of a neat little session last night. Misinterpreted some of the symbology but was not unpleased with the soldier sketch. You can see the whole session <a title="Links to full session in TKR galleries" target="_blank" href="http://www.dojopsi.com/tkr/rv/galleries/peanutview.cfm?dsid=85156">here</a> (requires login).</p>
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		<title>Clap, Click and Swing</title>
		<link>http://www.seriouskilowatt.com/archives/4.html</link>
		<comments>http://www.seriouskilowatt.com/archives/4.html#comments</comments>
		<pubDate>Sun, 25 Feb 2007 00:05:13 +0000</pubDate>
		<dc:creator>Serious</dc:creator>
				<category><![CDATA[dreams]]></category>
		<category><![CDATA[lucid dream rv]]></category>
		<category><![CDATA[remote viewing]]></category>
		<category><![CDATA[session clips]]></category>

		<guid isPermaLink="false">http://seriouskilowatt.com/?p=4</guid>
		<description><![CDATA[So here we are nearly a month later. I haven't had a single lucid dream since the one mentioned below. Until this morning. Frustrated, after more than three weeks of fruitless effort to be awake in my dreams, yesterday I did an archetype meditation on lucid dreaming. The very next night I have an LD. [...]]]></description>
			<content:encoded><![CDATA[<p>So here we are nearly a month later. I haven't had a single lucid dream since the one mentioned below. Until this morning. Frustrated, after more than three weeks of fruitless effort to be awake in my dreams, yesterday I did an archetype meditation on lucid dreaming. The very next night I have an LD. Go figure. But that's a different story.</p>
<p align="center">-*-</p>
<p align="center">
<p align="left">I woke up early for a standard lucid dream induction method called <a title="Explanation of M.I.L.D. technique" target="_blank" href="http://www.lucidity.com/LucidDreamingFAQ2.html#mild">M.I.L.D. (Mnemonic Induction of Lucid Dreams),</a> invented by the good Dr. LaBerge.  With dream mask in tow, I went back to sleep. Eventually I found myself in a dream and realized my disposition not from a dream mask cue, but by recognizing a 'dream sign' <font face="Trebuchet MS, Verdana, Geneva, Helvetica">(an element of dreams that indicates  you      are dreaming). </font></p>
<p>I was in my living room (that wasn't my living room. You know how that goes) with my roommate Tony and his ex-girlfriend. I tell them I'm dreaming and they said, "Hey, that's cool."</p>
<p>With a big smile on my face I say, "You know what that means right? You guys are just a figment of my imagination. You don't really exist."</p>
<p>It didn't seem to bother them much. Tony made some joke about it and we all sat around laughing about them not being real.</p>
<p>It was time to get down to business. Ready to view the new target pinned above my bed back in the world of the awake. I decided I'd close my eyes, clap my hands, and when I opened them I'd be at the target site.</p>
<p>I closed, I clapped, I opened my eyes and&#8230; nothing. I was still sitting on the couch with my figment friends giving me a blank look.  I think, "Hmmn. Okay. In Joe McM's account of his lucid dream remote viewing experiments,  I remember he clicked his heels, opened his eyes and was at the target site. I'll try clicking my heels then." Like it would make any difference if I clapped my hands, clicked my heels or wiggled my damn nose! Hilarious.</p>
<p>I closed, I clicked, I opened my eyes and was still sitting on the couch, now being laughed at by imaginary people and feeling rather silly.</p>
<p>Then  it dawned on me. I'm at my house in the dream so the target must be pinned to the wall in my dream as well. I'll just open the envelope and look at the feedback in the dream! Too easy! Feeling like I was cheating and completely blowing protocol by opening the envelope before my session was on paper, I went over to the wall where it was pinned and opened it up. Inside was three tiny little astrology booklets. Like little novelty things. I tell Tony (who makes my paper target pool for me), "Dude. This target sucks." He just laughs. The thought wasn't lost on me that this may actually just be symbology or some representation of the actual target though, so I made a mental note of it.</p>
<p>I'm a little fuzzy on the details, but at about this point I had a false awakening (dreamed that I woke up). I see another dream sign and suspect I'm still dreaming. I found my dream mask on the sofa and pressed the 'reality check button' (a little button on the mask for testing whether you are dreaming or awake. Trust me, this can be an issue. When you press it, it activates the light/sound cue on the mask. Since electronics generally don't work right in dreams, if the cue isn't activated when the button is pressed, chances are you're still dreaming). Proud of myself for recognizing the false awakening, I hold the up the malfunctioning mask to my roommate and say "Ha! See? I'm still dreaming!" like the joke was on him. He didn't seem very impressed.</p>
<p>Back to business.  I decide that this time I'll just try and get information about the target the way I normally do in the waking world &#8211; sitting quietly with my eyes closed and opening myself to the target. I go outside on the back porch and sit on a swing. Closed eyes, opened to target&#8230; nothing. Concentrating really hard on wanting to make target contact I look in front of me and see a row of large trees. The uniformity of their branches strikes me. I wonder if the shape is target related and make a mental note of it. I see two trees close together that are wrapped in vines. Then out of nowhere baskets full of flowers hanging from the sky  are all over the place. A hundred of them maybe, all hanging at different lengths off the ground. I start laughing, swinging in the swing and yell out, "It's so beautiful!" And it was.</p>
<p>Then I'm in an office building sitting at a conference table looking over session notes in my lab book. I think maybe the data in my dream book are target related so I make not of them. Indoor columns that arch out at the top like in certain midevil architecture and a line of text: "A quiet place, a place of study."</p>
<p>There are other people sitting at the table. They are there for a job interview. Two executives, a middle aged man and an elderly woman, walk into the room. One of the women there for an interview starts telling the elderly executive how she tried to take some courses from her in college, but the old lady wouldn't let her in the class. A no-nonsense old lady, she starts lecturing the girl on making it happen for herself and not relying on classes.</p>
<p>Then I woke up.</p>
<p align="center">-*-</p>
<p align="left">Wrote down what I thought was important from the dream in my lab book, put the pen down and ripped the sealed envelope off it's tack from above my bed. Inside, the feedback was a photo of some sort of protest. You can see the session and feedback photo <a target="_blank" title="Click to see session and feedback photo." href="http://www.dojopsi.com/tkr/goview.cfm?ID=75127&#038;P=BL5JB7X2A6"><strong>here.</strong></a></p>
<p><strong><br />
</strong> Now personally, from a learning perspective I can see certain elements of my session in the target photo. Mainly the noted shape of the tree branches as corresponds to the hippie's arms holding up the signs.  I feel there was target contact, be it so vague that it's nearly unrecognizable. I'm not one to stretch data and would of course classify this a miss, but in the end, I'm not in a lab or a scientific study. Just a guy practicing and experimenting at home. So ultimately I'm classifying it as a learning experience. Just like every other session.</p>
<p align="center">-*-</p>
<p align="center">
<p align="left">All this heel clicking has got me thinking. The only time I feel like I really made any target contact in the dream was when I sat down and really concentrated my focus, intensely <strong>wanting</strong> to make contact. Then I just looked up and there it was. No amount of clapping and doing the hokey pokey seems to be worth a crap if there isn't strong focus behind it. I suppose I could've seen that one coming. Maybe just passive expecting isn't enough to shift the scenery to the desired state even in a dream. Of course this is only after two trials, hardly enough to start drawing conclusions. Probably lots of variables, but next time I'm going to work on focusing my the intensity of my intent&#8230; or something like that.</p>
<p align="left">
<p align="left">Keep the olives chilled folks. No martinis this morning.</p>
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